Spoken Into Existence Ep 4: Inside The Studio

In Episode 4 of Spoken Into Existence, listeners are invited behind the curtain—into a digital writer’s workshop where story meets sound, and authors transform into audio directors in real time. (Thanks to two bestselling authors, Joseph Nassise and Tom Leveen, for letting us hang out with them.)

This episode is about craft. Specifically, the craft of performance—how every line in a story becomes a sonic event, sculpted with precision inside the Spoken Studio.

We’re no longer simply writing books. We’re building experiences.

Welcome to the Spoken Studio: Creative Control Redefined in the Studio of the Future

This is the future of audiobook creation—interactive, iterative, immediate.

Inside the Spoken Studio, authors like Joseph and Tom aren’t just uploading manuscripts. They’re entering a dynamic production environment where every element of their story—narrator tone, character timbre, emotional pacing—can be dialed in, down to the sentence.

Here, you can:

• Generate voices with surgical precision using structured vocal prompts

• Adjust performance at the passage level—modifying speed, tone, even emotion

• Preview dialog in-scene, evaluating how voices interact in dramatic sequence

Edit narration like you would dialogue in a play, removing unnecessary attributions and letting the voice do the storytelling

And it happens in minutes, not months.

What You See. What You Hear. What You Control.

Watch the manuscript light up with color-coded voice tags. Click into a line. Update the voice, the emotion, the pacing. Need a whisper? Select it. Want a shout? It’s two clicks away. Don’t like how the line lands? Rewrite it—instantly—and generate the new read in seconds.

In the traditional process, these changes would cost time, coordination, and thousands in studio fees. Here, they cost a few keystrokes.

Even complex moments—like summoning the voice of a supernatural antagonist—become part of the toolkit. A blend of AI modeling and manual finesse makes it possible to test, reject, revise, and relaunch a vocal performance until it resonates with narrative intent.

One character (Moxie) might be the testing ground, but the episode reveals something bigger: the blueprint of a new kind of authorship.

This Isn’t Audio Production. It’s Story Architecture.

What we’re witnessing is a tectonic shift in how stories are made.

The Spoken Studio is more than a tool. It’s a co-creative space where authors no longer hand off control—they own it, wield it, and remix it on demand. Just as screenwriters evolved into showrunners, authors now step into the role of sound architects.

It’s not about replacing the page—it’s about building the performance layer. So the question becomes … “When storytelling becomes a form of sound engineering, how does your role as an author evolve?” Discover the answer to that question by entering the studio at Spoken.

Learn more about Joseph Nassise.

Learn more about Tom Leveen.

Watch More Episodes

Experience all the episodes of Spoken Into Existence on YouTube.

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Spoken Beta V0.8.8: Hume AI, Automated Custom Voices, and Marketing Kits

This release brings major upgrades to how your Spoken projects are cast, customized, and shared. With v0.8.8, we’re introducing a new voice service into both the voice library and custom voice generator, groundbreaking one-click custom voice automation for every character in your story, and marketing kits to equip authors with high-value Spoken assets built for promotion.

Hume AI

We've now integrated Hume AI, featuring their emotionally intelligent voice generation, into both our voice library and custom voice tools. Hume-powered voices support a broad range of character types, accents, and emotional performances.

Automated Custom Voices

Automated Custom Voices allows authors to choose between 11Labs or Hume voices and, with one click, have Spoken analyze their story, identify every character, and generate a unique custom voice for each one. No manual voice selection—just an instant, ready-to-edit cast waiting for you in Passage Editing. Available to use across any of our narration formats.

Child  and Teen Character Voices

We’ve added dedicated Child and Teen voices to the Spoken voice roster—ideal for middle grade fiction, YA, or flashback scenes. These new voices are available via Hume.

You’ll find these voices:

• Auto-selected when characters are detected as children or teens.

• Available in the voice picker listed as “Child”.

Want your young adventurer to sound exactly right? Now they can.

Marketing Kit

You can now promote your Spoken story with professionally packaged assets that come ready to share.

Every published project automatically generates a Marketing Kit with branded cover art formatted for social media. Find your kit on your Project Page after publishing.

Note. The project must be set as public, and have mastering enabled.

Formats available: 

• Square Image (Instagram)

• 1080x1920 Vertical Format

• 1600x900 Horizontal Format

Global Speed and Volume changes

Instead of adjusting speed and volume one passage at a time, you can now set global speed and volume for each character directly from the Voices tab. Just select the voice you want, make your changes, and click Continue—your adjustments will apply across your entire project.

Other Fixes and Changes

We’ve removed the “Basic,” “Enhanced,” and “Advanced” voice tiers. All voices are now categorized simply as Premium or Voice Actor for a cleaner, more consistent experience and higher quality voice choices.

We’ve also removed the Performance Insights button from user profile pages due to its inaccuracy. Users should rely on the play and like counts on project pages. 

Lastly, we removed estimated costs of narration because we're still evaluating the options for how best to have our users pay for narration.

Spoken Into Existence Ep. 3: Book Trailers – A Next-Level Marketing Tool for Authors

In Episode 3 of Spoken Into Existence, authors Joseph Nassise and Tom Leveen joined the Spoken team—Stacy Smith Rogers, Patrick Wimp, and Joshua David Pivato—for a creative deep-dive into something every author needs to be thinking about right now: how to to support your story the way people discover today.

This wasn’t just a conversation about writing. It was a working session—an inside look at how a story can become a multi-sensory asset that builds anticipation, extends your brand, and helps new listeners discover your work.

If you’re not thinking about Spoken’s trailer creation as part of your book launch strategy, Joe and Tom are, and this episode might change your mind. 

From Audio to Audience: Spoken’s Tools for Author Visibility

Today’s indie authors are operating in a noisy digital marketplace. Publishing a great story is the baseline. Marketing that story in a way that commands attention—that’s where authors win or fade into the background.

A trailer bridges that gap. In a world dominated by short-form video and sound-rich content, a Spoken Book Trailer acts as a cinematic handshake: fast, emotional, and unforgettable.

Done well, a trailer becomes:

• A teaser that builds buzz before your launch

• A highlight reel for press, newsletters, or podcasts

• A social-ready ad that doesn’t feel like an ad

• A visual companion to your audio-first storytelling

And here’s the key: it’s not just about aesthetics. It’s about converting intrigue into listens.

Inside the Trailer Lab: Building the Hook for Sackcloth and Blood

In this episode, the team collaboratively began crafting the trailer for Sackcloth and Blood, Joe and Tom’s supernatural thriller set in the American Southwest.

The process? Fast-paced, focused, and rich with intent.

Key takeaways from the creative session included:

• Anchor imagery: The authors centered on a scene at the mouth of a cave—a foreboding visual with a looming, monstrous silhouette. It’s atmospheric and suspenseful, setting the tone immediately.

• Gradual character reveal: Rather than opening on Moxy (the story’s protagonist), the team debated ways to withhold her full presence—using reflection, shadow, or voice restraint to build tension.

• Music direction: The team drew inspiration from John Carpenter’s synth-heavy scores and the haunting swagger of Sympathy for the Devil, emphasizing tone over tempo.

• Scene construction: Should it be a fluid, one-shot moment? A staccato montage? The group leaned toward a hybrid—brief glimpses layered with rising momentum, culminating in a visual and vocal reveal.

This was a live collaboration between the authors and the Spoken team, blending creative vision with marketing strategy.

For Indie Authors, This Is a Competitive Edge

Here’s what sets a Spoken Book Trailer apart from the typical static promo asset: you’re not adapting your story for someone else’s template. You’re shaping the trailer as part of the narrative experience.

Because Spoken is built for audio-first storytelling, our tools and workflow are aligned to support exactly this kind of creative extension—from voice to visual to discovery. We make it easy for authors to create, distribute, and promote work that doesn’t just sound good—it stands out.

And while traditional publishing may treat trailers as rare perks, at Spoken they’re part of the playbook for the authors we spotlight.

Missed Episode 1 & 2? Make sure to catch up. You’ll want to catch the next one. The Sackcloth and Blood trailer reveal is coming soon—and it’s proof of what’s possible when authors and storytellers think like showrunners.

The future of storytelling is author-led. At Spoken, we’re helping you launch that future.

Learn about Joseph Nassise: https://josephnassise.com

Learn about Tom Leveen: https://tomleveen.com

Try Spoken: https://ihave.spoken.press